CAMILA CURTY IS A MULTIFACETED BRAZILIAN ARTIST. 

An actress, director, producer, photographer, teacher, and more recently, screenwriter, Camila is driven by a deep commitment to art and the exploration of the actor's craft. Born in Brazil, she maintains strong ties to her cultural roots while expanding her work internationally. Her journey spans various forms and genres, from theater to audiovisual media, from performance to creation.

She holds a Bachelor's degree in Performing Arts from Casa das Artes de Laranjeiras (2017) and a postgraduate degree in Psychoanalytic Theory from Universidade Veiga de Almeida (2019). Internationally, she deepened her training in the United States, studying at the Stella Adler Studio of Acting (2020), the Lee Strasberg Theatre and Film Institute (2020 and 2024), and the renowned Actors Studio, where she has been since 2024.

With over a decade of experience, she has performed in more than 15 theatrical productions, ranging from classical to contemporary works and musicals. Highlights include the adaptation “Wedding Dress” (2025), based on Nelson Rodrigues' Vestido de Noiva, directed by Julia Burnier and presented Off-Broadway in New York; “PASSPORT” (2023), by Venezuelan playwright Gustavo Ott—a project she directed, produced, and acted in—supported by the FOCA Cultural Grant (2022) and staged at venues such as Teatro Firjan SESI Jacarepaguá, Arena Fernando Torres, and Lona Cultural Jacob do Bandolim; “Enigma” (2022), by Floyd Dell, directed by Victor Almeida, performed in an apartment in Rio de Janeiro; “Desaparecidos” (2014–2015), by Bolivian playwright Claudia Eid Ásbun, directed by Joana Lebreiro and featured in the Palco Giratório and P.E.R.I.F.É.R.I.C.O. Latin American residency, both supported by SESC; “American Blues” (2015–2016), by Tennessee Williams, directed by Antonio De Bonis; and “16# para Pasolini – A Study on Calderón” (2017), directed by Felipe Vidal and staged at Galpão Gamboa.

Her interest in directing emerged early in her career. She made her directorial debut in 2015 with “Daniel and the Lions,” by Cuban playwright Maikel Rodriguez de La Cruz. The following year, she directed the conceptual solo piece “The Selves That Live Within Me,” inspired by the poetry of Fernando Pessoa, with seasons at Centro Cultural Municipal Laurinda Santos Lobo and Parque das Ruínas. In 2020, she also took on the writing and direction of the play “Next Stop,” presented at Teatro Glaucio Gil.

In film and television, Camila has built a career that includes shorts, feature films, series, and advertising campaigns in Brazil and abroad. Nationally, she acted in and co-directed the series “Letters to the End of a World” (2020) with Pablo Cortez; appeared in the series “RED” (2019), directed by Fernando Belo; “Perdidos” (2020), by Paulo Tifenthaler and Ernesto Solis, available on Canal Brasil and Globoplay; the short film “Amargo” (2021), by Juliana Coutinho; and her first feature film “Anti-Kidnapping Squad” (2015), directed by Marcus Dartagnan, available on Net Now and Prime Video.

Internationally, she starred in the series “La Llamada” (2020), by Mexican director and writer Octavio Maya Rocha, playing the role of Sophia Queiróz. More recently, she portrayed the lead role Lina in the film “In A While Crocodile” (2024) and Julia in “About My Sister and I,” both directed by Pablo Cortez and shot in New York. Both projects are currently in post-production.

In addition to her artistic work, Camila is also dedicated to training other artists. In 2019, she founded Studio CASA—a collective of artists focused on research and the development of actor training rooted in the Brazilian context. Aware of the privileges of her own training, she also created the Laboratório de Atores, a space where she shares her experience and teaches actors at various stages of their careers.

Currently based in Porto, Portugal, Camila Curty remains in motion, open to artistic collaborations and projects around the world.